And he escaped from his college once, like some kind of hysterical gymslip schoolgirl...just the once it was...around 1971 or '72 to avoid being punished for something stupid he did.
It was an utterly pointless exercise as it was the last day of term, but he just panicked and bolted, and kept on running...until he ended up wandering through some muddy field in the heart of the English countryside before simply giving up and sitting by the side of the road.
But he never did it again, and in later years, when he looked back at his time as a public schoolboy, he'd insist if he possessed a single quality that might be termed noble such as patience, or self-mastery, or consideration of the needs of other people, then he owed it to his education, and not least the four years he spent at his college.
Yet, looking at the facts after his eventual exit, you'd be forgiven for thinking he'd simply picked up from where he left off before he collapsed in that muddy field in the heart of the English countryside and started drifting in circles again leaving so many tasks unfinished he effectively wrecked his gilded destiny. But in fact this was far from the truth, for he was never without purpose; but simply...he lacked the go-getter's ability to turn his dreams to good account.
And looking back on all he'd lost in late middle age, he'd often weep silently to himself at night, at the end of yet another day spent doing really very little when he thought about it.
And there'd be times when certain pieces of quintessentially English pastoral music still had the power to evoke his strange and sudden flight, or rush of blood to the head, of over four decades ago. Such as Vaughan Williams' The Lark Ascending, which seemed to him to bespeak a passion for the Arcadian soul of England that verges on the ecstatic. And the same could be said for the opening sections of Mike Oldfield's Hergest Ridge, which tended to convey to him a deep mournfulness silently existent beneath the picture perfect image of English privilege.
Any argument in favour of such a tragic element would be powerfully reinforced in his eyes by playing the music of the much-loved singer-songwriter Nick Drake, who was not so much handsome as beautiful in what could be called a classically English, soft, wistful, romantic, Shelleyan fashion, with seemingly perfect skin, full lips and a head of cascading curls.
And in some of his many photos, he bears an uncanny resemblance to the former Doors front man Jim Morrison; and like Morrison, he was a poet as much as a musician. But the likeness ends there, for while Morrison was able to conquer his natural shyness and become a wildly charismatic showman, Drake never mastered the art of Rock performance.
However, blessed with a precocious musical genius, he secured a recording contract with the Island label while still only twenty years old and at Cambridge University.
On the surface of things, he was destined for a long and happy life, but unlike his near-double, was unable to translate his enormous gifts into commercial success. And he became very seriously depressed as a result, dying mysteriously at the age of just 26, after having released only three albums in his lifetime.
Looking back from the vantage point of the early 2010s, Runacles couldn't help thinking that in any era other than that ushered in by the Rock revolution, Drake would have pursued a career more suited to his background and temperament. As opposed to one which, while ensuring his immortality, clearly caused him an inestimable amount of pain.
And he came to maturity in a Britain whose young were in active rebellion against the Judeo-Christian value system on which the nation had been founded. So was perforce affected by the spiritual chaos of the times, which propelled him towards the endless night of worldly philosophy, deadly for a mind as litmus-paper sensitive as his.
And listening in late middle age to such perfectly English examples of pastoral music as Drake's River Man, which seemed to him to bespeak a passion for the Arcadian soul of England that verges on the ecstatic, Runacles became suddenly cognizant of a colossal compassion within himself.
But not just for the youthful Runacles...who ran away from his college once like some kind of hysterical gymslip schoolgirl...so much as for the privileged classes as a whole...those traditionally educated at public schools.
A somewhat unusual receptacle for the milk of human kindness, some might say. But the privileged among us are surely no less in need of consideration than any other social class.
For despite the fact that the vast majority of those who pass through the British public school system go on to lead full and successful lives entirely free from melancholy, social advantage can clearly be a heavy burden to bear for some. Such as Nick Drake who sang so devastatingly of "falling so far on a silver spoon" in the dark pastorale, Parasite.
As to Runacles, he'd not been born into a typically privileged upper middle class family, and so by the time he arrived at his public school, he was bereft of a frame of reference, unlike the majority of his fellow pupils, weaned on the gilded sports of the British social elite.
Yet, a close connection existed in the shape of his paternal grandmother, arguably born into what was once known as the lower gentry, in as much as her father was independently wealthy, and so had no need to work. Yet, she left her first husband to live in Australia with a man she'd met in Ceylon while working on a tea plantation, a Danish citizen who'd allegedly once been a successful businessman, until some reversal of fortune reduced him in social status. His mother, on the other hand, was the product of working class immigrants to British Canada from Ulster, Ireland and Lowland Scotland. And it amused him to think there was a good chance distant relatives of his continued to live in these regions.
But that was not the reason he had trouble adapting to public school life, for his brother positively thrived within it.
No, there was something intrinsically askew about Runacles himself. For after all, who thinks of running away on the last day of term without any purpose or aim, only to finish up collapsed by the side of a muddy field in the heart of the English countryside?
The truth is while public schools have long served as the traditional places of learning for future members of the British governing and professional classes, they have never done so in the capacity of pampering wet nurses.
And so not every child who finds themselves within the bosom of such institutions is able to develop along extraverted lines. For during Runacles' time at his own college, there were boys who responded to the intensely hierarchical nature of public school life with varying degrees of self-effacement. And not just initially, for most new boys are inclined to quail when confronted with this ancient way of life for the first time, but afterwards too. So that they remained relatively quiescent even while succeeding within the system.
Yet he himself was not among them, for while he could hardly be said to have thrived, he was yet happy in his own way, and enormously popular. What they used to call a character. So this strange flight of his was totally out of character, especially seeing as he was famous for his resilience, having been one of the most intensely disciplined pupils of his generation.
But he never ran away again, and in later years, when he looked back at his time as a public schoolboy, he'd insist if he possessed a single quality that might be termed noble such as patience, or self-mastery, or consideration of the needs of other people, then he owed it to a significant degree to his education, and not least the four years he spent at public school.
Yet, looking at the facts after his eventual exit, you'd be forgiven for thinking he'd simply picked up from where he left off before he collapsed in that muddy field in the heart of the English countryside and started drifting in circles again, leaving so many tasks unfinished he effectively wrecked his gilded destiny. But in fact this was far from the truth, for he was never without purpose; but simply...he lacked the go-getter's ability to turn his dreams into good account.
Now, souls in thrall to the psychological persuasion might assert that failure in life is but the consummation of an underachieving childhood.
But the Runacles of the early 2010s had no time for theories of this kind, since pupils historically written off by their teachers via the medium of the school report have included the greatest Englishman of them all. No, not Runacles...Churchill.
While many might dispute this fact, and goodness knows Churchill has his detractors, few would go so far as to label him an underachiever.
And Runacles himself was offered multiple opportunities to turn his life around; so why didn't he do it...simply in order to prove to the world that while a failure on the surface, he'd been a success all along?
There's no sure way of knowing why other than to have recourse to a theory earlier expressed in this piece, that there was something intrinsically askew about Runacles himself. For after all, who thinks of running away on the last day of term without any purpose or aim, only to finish up collapsed by the side of a muddy field in the heart of the English countryside?
And who knows how long he'd have sat there, had it not been for the fact that as he did so, his Divinity teacher happened to spy him while driving by before offering him a lift back to college.
And as might be expected, by the time he arrived, there was hardly anyone left; yet, he was summoned by his housemaster, who assured him he'd not be punished, for after all, it was the last day of term, and school was over for a month or so, and he was therefore free to do as he wished within the limits of the law.
But there was no one to take him home, as his mother had earlier departed without him, as no one was able to tell her where he was. So he contacted his father, who then set about the hour-long journey from London to Berkshire to pick him up.
And he later heard from his friends about just how frantic with worry his mother been when, after innocently turning up to take her son home, she was informed he was nowhere to be found. One can only imagine what she went through. And looking back at this terrible afternoon from the vantage point of late middle age, it pained him deeply to think of her suffering.
But he never ran away again, and in later years, when he looked back at his time as a public schoolboy, he'd insist if he possessed a single quality that might be termed noble, such as patience, or self-mastery, or consideration of the needs of other people, then he owed it to his education, and not least the four years he spent at public school.
Yet, looking at the facts after his eventual exit, you'd be forgiven for thinking he'd simply picked up from where he left off before he collapsed in that muddy field in the heart of the English countryside and started drifting in circles again...leaving so many tasks unfinished he effectively wrecked his gilded destiny. But in fact this was far from the truth, for he was never without purpose; but simply...he lacked the go-getter's ability to turn his dreams to good account.
From the time he was about seventeen, he was desperate to succeed as actor, musician or writer, yet the evidence suggests that despite an enchanting and extrovert personality he was under-equipped for the task he'd set himself.
For instance, he refused to apply himself to developing as a musician, even when being taught by a true virtuoso, as was the case towards the end of the '70s...when a future member of a supergroup struggled manfully to motivate him. And he was incapable of finishing a single cohesive piece of writing due to his tendency to allow his teeming imagination to take him from one unending digression to another.
As to his professional life, if you can call it that, it was marked by a similar desultory quality. And in the summer of '77, he worked briefly for a sailing school on the Costa Brava, but lost his job before too long; and ended up drifting for a time, spending many a night at the Disco, where he fell in love with Donna Summer's A Love Trilogy.
And later that year, he spent a short period of time at Merchant Navy School, before serving as a salesman in a long-vanished jewellery store in suburban Kingston, and after calling in sick while working as a filing clerk early in '78, lost that job too. Still...he'd made a good friend on his day off in the shape of a young punkette covered in safety pins who'd spied him wandering aimlessly around Kingston with spiky blond hair like his Punk doppelganger, Billy Idol.
But by this time, he'd been accepted as a student at a prestigious drama school in the centre of London. Although when it came to his actual studies, he failed to convince the authorities he had what it took to succeed as a professional, so departed in the summer of '79.
What a hopeless case...but then what kind of person decamps on the last day of term without purpose or aim, only to finish up collapsed by the side of a muddy field in the heart of the English countryside?
For that it was he did; and he never forgot it, for those four years he spent at boarding school were his rosebud years, when everything was heightened in terms of its effects on his temperament which was at once happy go lucky and high strung, an unusual combination perhaps.
And one that saw him at once almost universally popular, and yet beset by tics and twitches. Such as the head-shaking habit he thought he'd never kick. But which vanished soon after he quit college at the early age of 16, at which point he which he mutated by degrees from a round-shouldered youth with a Chaplin-esque walk into a full-blown narcissus. But what an inefficient Adonis he was...he couldn't even cut it at acting school.
Although the '80s were a time of relative stability for him, and he worked as an actor for a time, before completing a degree in French and Drama.
But then he resumed his maundering ways. And perhaps it's significant that one of his musical passions around about the turn of the decade at college had been Led Zeppelin, a band deeply indebted to the Delta Blues whose Ramble On from the second album, a key work for him at the time, as well as for a good few of his contemporaries, possesses vagabondage of a romantic kind as its principle theme. And there were many songs from the era with a similar peripatetic motif.
But it's surely safe to say that the vast majority of those who were Underground Rock acolytes at the same time as him ultimately settled into conventional occupations. So why not Runacles? Why did he persist in relative instability way beyond his college days?
It's impossible to say for certain of course, but it may be that like self-styled poor boy and rover Nick Drake, he'd been blessed - or cursed - with the sensitivity of litmus paper. So that the messages being relayed by the Rock-Youth Counterculture penetrated more profoundly into his psyche than those of most of his generation. And among those was an exaltation of rootlessness; born of a spirit of restlessness.
But, there being nothing new under the sun, its origins lie deep in history, at least as far back as the great Romantic movement in the arts which produced wanderers from life and art alike from its inception. And Romantic nomadism could be said to have reached an apogee in the shape of the Byronic hero, who went on to exert such a powerful influence on French Romanticism, which while the last, was surely the most powerful of the movement's three great waves, for it was the true forefather of the avant-garde.
And Runacles became an acolyte of the latter from his late teens, falling in love with one of its icons after the other...Baudelaire, Rimbaud, Cocteau, Genet; and in time, he developed a taste for avant-garde nihilism, and its repudiation of all of the so-called bourgeois values, including sanity and health, even life itself.
He came to adore the idea of early death, and to resign himself to dying young himself, in fact not so much resign as commit himself to it. But out of a deluded romantic death fixation, as opposed to any genuine desire to die.
And it may be this refusal to settle into any kind of conventional existence was rooted in a desire to be one of Jack Kerouac's "mad ones", and so to "burn, burn, burn, like fabulous yellow roman candles exploding like spiders across the stars..."
By the time he quit university in 1985, he'd been a devotee of this dark ethos for several years, so that his art was more important to him than his life; and he welcomed every experience, no matter how ruinous to his health, if it could serve as fuel to his creativity. And the art that fascinated him most was literature, and he longed to be a published writer, but most of what he'd attempted to write since his late teens remained unfinished
But at university he'd evolved into a magnetically intense stage actor, and he inspired many with his performances, as well as his larger than life personality, so he was likened by one friend to Hesse's Goldmund, by another to Don Juan... while still another suggested he read Buchner's Lenz.
And one of his tutors informed him he had the makings of a heroic figure, if not as actor, then as academic...and even writer.
But Runacles would not have been true to himself had he not failed to justify their faith in him, and so following his eventual departure, he sought work as a deliverer of novelty telegrams. But not for the money, which was excellent, so much as for the sheer joy of showing off, which points to something awry at the base of his soul.
And by the time he did, he was well on the way to developing an alcohol problem, which in later years he'd at least partly blame on what he termed a negative identity. Which is not to say he was negative in his attitude to others, for contrary to what may be believed given the evidence so far, the effect he exerted on others was almost overwhelmingly positive.
Yet he deliberately chose such an identity as a means of making himself more interesting than he would otherwise have been; to shock, in other words. And his motives in doing so weren't entirely frivolous, for his attraction to the avant-garde was authentic, and rooted in a deep-rooted raging intelligence that also fuelled his constant, frenetic defiance of respectable society.
And looking back from the vantage point of late middle age, he'd muse that having foisted this nihilism onto himself for as long as he had, his litmus-paper mind had finally started to turn on him by the middle of the '80s.
To begin with, his empathetic powers started to recede, which caused him enormous distress, because he'd always found great comfort in his compassionate and affectionate nature.
And he started to drink as a means of restoring them. But what right did he have to them, when his negative identity included a corrosive cynicism of the type he so admired in his avant-garde idols? It's as if he wanted it both ways; to be loved for his personal sweetness...and yet reserve the right to rage like Rimbaud whenever he felt like it.
(Part two to follow)